519 UMMA Objects
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Two abstract figures stand in the central portion of this image.  The figure on the left is much larger than the figure on the right.  The left figure looks toward the right, raising their arms into the air.  They wear a dress that has patterns of waving forms and squiggled lines.  The other figure bends one arm under their chin and has an outfit depicted with lines that curve to right. The background in mostly blank, except for a strip of patterned grey along the left side of the work. The figures stand on a band of black and grey ground.
Max Ernst (German (culture or style))
Dancers
1950
Museum Purchase made possible by the Friends of the Museum of Art
1987/1.264
This is a vertically arranged abstract print that incorporates sets of facial features (and perhap legs) that stare out at the viewer. The colors in the print are predominately yellow on the right and black on the left; green, red, and white are also used.
Adja Yunkers (American (North American))
Succubae
1950
Museum Purchase
1950/2.22B
This colored lithograph has a large, bright blue shape at the center, completely surrounded by black. Within the blue shape, there is a white design of a horse laying down. The print is signed in red crayon (l.r.) "MARINO" and numbered in red crayon (l.l.) "38/50".
Marino Marini (Italian (culture or style))
Horse Resting (Le Cheval à la Couché)
1955
Museum Purchase
1957/1.107
In this print we see a view of a city from the rooftop. In the foreground, two men standing on a balcony stare out at a city. A tall belltower emerges from the middle and leans to the right. In the background are smaller buildings and clouds fill the sky.
Leopoldo Méndez (Mexican)
Vista de Zaragoza
1953
Museum Purchase
1958/1.104
On a long white horizontal piece of paper are two outlines of geometric shapes weaving in and out of each other. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.55
On a long horizontal piece of white paper is a brown square on the right. Within the square are vertical wavy lines with alternating horizontal stripes. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.56
Abstracted, organic shapes in black and gray tones flow through the top three-fourths of the composition. Some small, thumbnail like lines are embedded into the shapes in the center right. A small reddish-colored shape is in the middle of the composition.
Don Fink
Apollo - Series II
20th century
Gift of Herbert and Nancy Berhard.
1976/2.95
Oval-shaped piece of veined, green Swedish marble standing on one of its narrow ends. Three holes of different sizes penetrate into the object's center. The holes are painted in a semi-gloss black and matte white.
Dame Barbara Hepworth (British (modern))
Sphere with Colour (Grey and White)
1965
Museum Purchase
1967/1.43
Abstracted human figure reclining on its side. Eight strings resembling the strings of a harp extend from the chest area to the hip.
Henry Moore (British (modern))
Stringed Reclining Figure
1939
Bequest of Florence L. Stol
1968/1.98
irridescent orange, yellow and blue teardrop-shaped vessel with vertical ribbing
Louis Comfort Tiffany
Vase
1895 – 1905
University purchase 1930, transferred to the Museum of Art, 1972/2.212
1972/2.212
irridescent blue vase with large mouth and large flared foot
Louis Comfort Tiffany
Vase
1896 – 1900
University purchase 1930, transferred to the Museum of Art, 1972/2.224
1972/2.224
Drawing on paper of abstract structure.  Pyramid shaped base supports spiraling and circular elements. 
Seymour Lipton (American (North American))
Untitled (Study for 'Defender')
1963
Gift of an Anonymous Donor
1968/2.71
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